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Quit Social Media

Social media is a shit show at best and a social cancer at worst. Quit. Now. Do it. Don’t be afraid to cancel your account. You won’t be disappointed. In fact, you’ll find that your humanity will be restored. Fear of lost contact is what’s keep you locked into accounts that sell your data and […]

September 26th, 2018 | Ideas | , , , | Comments: 1

Social media is a shit show at best and a social cancer at worst. Quit. Now. Do it. Don’t be afraid to cancel your account. You won’t be disappointed. In fact, you’ll find that your humanity will be restored. Fear of lost contact is what’s keep you locked into accounts that sell your data and spy on you.

YOU DO NOT NEED THOSE THINGS.

The belief that social media is mandatory now is bullshit. You can and should quit. It’s the right thing to do. If you love someone, you’ll stay in touch with them. Faecesbook, Twatter, Snatchcrap, or whatever social network du jour are not the only way that modern humans can connect with each other.

Cancel. Disconnect. Sign out. Resign. Quit. Unsubscribe.

This is your life. Don’t let an advertising service own you.

One by one, I began quitting all social media a few years ago. It seemed crazy at the time, but in hindsight I no longer feel encumbered by the false weight those many platforms once placed on my life. It’s not real. The “service” they provide is not true life. Real life is real humans in real spaces talking about real things.

Yes, anonymous proxies can have useful functions , but for the vast majority of people social media is either an echo chamber, repression tank, or negative feedback loop.

Don’t be scared to quit. You aren’t missing out on anything except social posturing, virtue signaling, soapboxing, and dumbass politics that don’t do any real good in the real world.

Want to connect with friends or family? Call them. Yes, it’s scary to speak with people directly. You have to “think on your feet” and be real in the moment.

Better yet, invite people to your place or some location. Have a face to face interaction. It’s not very 21st century, but forget all that trendy VR and real time chat. Get in a real room (or nature, if you have any life left in you) with someone you care about and talk. It won’t be pretty, but it’s way harder to fake.

The real truth is that the tens, hundreds, or thousands of people that are called your “friends” or “followers” that you may think that care about about you, your life, or what you think is a terribly false representation of the truth. Pick 20 people. They possibly care. Narrow it down to 10. They might actually care. Cut that number in half. Those are the ones that will be there for you in true times of need for you.

Quit all social media. It is the false hope of our time. It is the cancer of our generation. It has not solved any problems. It merely makes us worse.

If you have any good argument to the contrary (and the onus is on the naysayer here), please leave it in the comments below.

Real life is happening and it’s not on social media.

Quit.

As always, like, share, and subscribe. 🤮

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Future Music Debate: Beyond Analog vs. Digital

A response to the question “After Analog vs. Digital, what will we fight about in the future?”

As part of their “#DJChat,” German audio equipment manufacturer Behringer asked this question on Twitter:

…Analog vs. Digital is a debate that will always continue. But in the future, what technology will we move on to AFTER digital? 😀 #DJChat

It’s an interesting concept. The wars between analog and digital rage on because they are systems separated by technologies that both have pros and cons. As technology progresses, what new pros and cons will we have to debate against older systems? Initially I answered with the following:

@BEHRINGER future: Cerebral vs. Digital. Was it made entirely “in the box (aka your head)” or did you collab with other humans and devices?

Realizing there’s much more to this debate than just a tweet, I thought I’d talk more about it here.

We Need Better Words to Describe How We’ll Make Music in the Future

In my original tweet, I used the phrase “Cerebral vs. Digital” to describe the future debate I imagine will happen. Maybe my choice of opposites wasn’t perfect. Better words can probably be found. This concept of diametrics I have in mind could be expressed in a variety of ways.

  1. Cerebral vs. Physical
  2. Solitary vs. Collaborative
  3. Internal vs. External

Each of those word combinations is describing the same contrast of ideas. But how to best describe it?

Composite image of music flowing from a girls mind.

The New System of Mind Music

In the (maybe not so distant) future, musicians will have the ability to directly output music from their heads. Technology will be developed that will allow artists to simply think/imagine/hear the music in his/her head and output this as audio and/or notation. This cerebrally generated “audio feed” could be routed (maybe even wirelessly) to a recording device to be documented, distributed, and sold. Theoretically, this process could happen as a live performance. The signal could be routed to a sound system for a concert, to an internet connection for worldwide streaming, or even directly injected (almost telepathically) into the head of a “listener” outfitted with the proper “receiver” device.

The possibilities are fantastic. Composers could direct an entire imaginary orchestra as they hear it in their minds. Dancers could dance to their own music in real time. Musicians could play exactly what they intend to play. Singers could sing in whatever voices they can imagine. Handicapped artists suddenly would be unrestricted by their handicaps.

This is not a matter of if, it’s a matter of when. If we already can control toy helicopters with our thoughts, then it’s only a matter of time before we can output music directly from our minds. UPDATE (2011-09-23): This just in… UC Berkeley neuroscientist Professor Jack Gallant announced today that it’s possible to recreate the video from brain activity.

This technological breakthrough in music will follow a path familiar to video games. With the Wii, Nintendo brought wireless motion-sensing accelerometer action to everyday people. The developers of Guitar Hero and Rock Band banked a lot of cash by making it really easy to “play” popular music without having to learn an instrument. Microsoft’s Kinect for Xbox removed the need for a controller, allowing the person to become the controller. I don’t know who will create the first mind-controlled music technology, but somebody’s going to do it.

Brace Yourselves

Cool meant something totally different back then. Don’t judge.

As with any change, it’s going to get worse before it gets better. Unfortunately, music will experience yet another Regrettable Period in which we have to learn how to use this new technology properly. I predict some gross and unsavory abuse of the technology, much like the ubiquity of terrible synthesizers in the 1980s or prevalence of auto-tuned vocals since Cher started believing in life after love. But some lucky artist is going to enjoy the honor of being known as the one that mastered this wonderful new system, thus becoming the “Grand Master Flash of whatever-this-thing-may-become-known-as.” Someone will figure out how to use it right, but it might take some time. In the meantime, wear earplugs.

Why We’ll Argue About This

At first, this newfangled gadgetry will be heralded as the end of “real” music and musicianship. The critics will say it’s too easy and not authentic music. Traditional composers and invested players will complain that no one has to learn how to write or play anymore. And much in the same way that digital was derided as a poor substitute for analog, purists will say that this cerebral form loses something in the process. Those arguments all might be right, but there may be a bigger issue lurking.

Trapped “In The Box”

When the process of making music becomes entirely internalized it will be really great because of it’s purity and singularity of thought, but will it simultaneously suffer from lack of external influences? When digital recording became popular, the question was often asked by one artist or engineer to another: “Was this all done ‘in the box?’” – meaning: was the audio signal created, mixed, and mastered on the same computer? Early on, music created entirely in this fashion lacked the beneficial effects that analog systems inherently imparted upon the audio signal. Today, the line has been blurred by better technology, so it’s harder to tell if something was recorded analog or digital. Only engineers with “golden ears” can hear the difference (even then I suspect shenanigans). At any rate, the question still remains: What benefits will be lost due to the signal remaining “in the box” of your head?

Potential Musical Influences

  1. People – The comradery, inspiration, ideas, criticism, differing views, and friction found when people work together often makes for better music. Being alone can lead to dead ends and boring or bad music. Collaboration can make beautiful things.
  2. Hardware – Though they are inanimate objects, the instruments and devices used to make music come with their own inspirations, challenges, rewards, frustrations to overcome, and occasional good glitches. Sometimes a piece of gear has to be conquered and relinquishes its magic upon defeat.
  3. Criticism – The critic is the archenemy of the artist, but every good story needs a villain. Without judgement, no work is ever as best as it can be. Words are often revealed for their folly only after they’ve left the head.
  4. Movement – Music and movement are very strongly related. When making music, movement is both part of the instigation of sound, but also a reaction to the sound being created. Performance and dance are like cousins. So if movement is not necessary for the creation of music, what effect will that have on the final product?

Good Things Will Happen

A lot of things can go wrong in this new system, but a lot of things can go right too. Eventually we’ll work out the kinks. We’ll figure out the typical pitfalls. We’ll master this medium like we have with all the others. One day amazing music will be generated using nothing but musicians’ brains. I’m hedging a bet it will be the direct output of some ridiculously young Mozart’s mind that will blow us all away. Perhaps this new interface will teach us something about how our brains work. Maybe it will allow us to communicate more precisely on ever deeper levels. What if it develops into a new universal language? Hmm.

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The War Is Within

The following paragraphs are from an entry in my journal on June 14, 2008, which I am posting it here as a public reminder to myself. The great problems of the world are not the result of the actions of an easily-fingered cast of evil-doers, but by the failing of average everyday folks like me […]

The following paragraphs are from an entry in my journal on June 14, 2008, which I am posting it here as a public reminder to myself.

The great problems of the world are not the result of the actions of an easily-fingered cast of evil-doers, but by the failing of average everyday folks like me to imagine anything different than the current set of circumstances. We grossly mistake the root of our troubles by demonizing a select few, whose ignoble traits are glaringly obvious, and which conveniently distract attention from our less conspicuous, yet equally ugly inclinations.

If we only dared to believe that life could be different and then acted on that very realistic hope. Though life’s grinding would not cease, its sting could be lessened or alleviated. Whether it be for the fear of change, love of the status quo, a lack of imagination, care, or hope, the problem lies within us, not outside.

If we wish to get better, this is how we must diagnose and treat the disease which afflicts us all: by believing that it must be fought and then continually conquered in our own hearts, minds, and spirits first.

Maybe this is the entire war? Perhaps the conflict is always within and only truly winnable there – never on the foreign soil of other people’s minds. Aren’t our own selves all (or really more) than we can control anyway?

Are we completely giving over ourselves to the notion of creating a better world? Or have we designated some portions of the battle as someone else’s job? Do we see any problem as someone else’s issue or do we recognize them all, no matter how grand or insignificant, as our own?

With each dollar we spend, smile we give, and trust we offer, we ultimate cast our votes in small, but critical measures for the type of world in which we wish to live. We are creating this world by the manner in which we think and do.

Is our world full of fear, distrust, greed, and anger? Or are we, by conscious belief and action, redefining a new order of life? Are we giving birth to something beautiful or giving in to what we think is inevitable? Are we proffering hope or hopelessly accepting that nothing will change, knowing that as such, we will always get what we have always got? Are we willing to accept the outcome of our decisions?

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